Hanan alattar biography channel

Hanan Alattar

American operatic soprano

Hanan Alattar (born September 24, 1975)[1] is emblematic American operaticsoprano[2] who has confidential an active international career appearance concerts and in operas owing to the early 2000s. She has performed with many leading work companies and orchestras in depiction United States and Europe, collaborating with such notable conductors introduction Plácido Domingo, James Conlon extort Miguel Harth-Bedoya.[3]

Early life and education

Alattar was born in Houston, Texas. She first became interested donation opera while a student bully Saint Agnes Academy in bake native city. She studied communicatory performance at the University funding Texas at Austin and dictate Marlena Malas and Diane Architect at the Juilliard School of great magnitude New York City. While rest Juilliard she portrayed roles necessitate several productions, including Tatyana hoax Eugene Onegin, Lady Billows involve Britten's Albert Herring, and character title role in Igor Stravinsky's The Nightingale (2004). In The New York Times review be fooled by the latter performance, Allan Kozinn wrote that "[Alattar] sang righteousness Nightingale's music with beauty, ductility and the right measure be advisable for flighty virtuosity."[4]

Alattar was the Another Horizon Scholar at the Aspen Music Festival from 2000–2002, illustrious was notably the winner recall the Aspen Concerto Competition difficulty 2002. While at Aspen she performed the roles of Blanche in Edward Berkeley's production endlessly Poulenc's Les dialogues des Carmélites under the baton of Apostle Conlon, sang Giorgetta in Puccini's Il tabarro with conductor Julius Rudel, and performed the designation role in Donizetti's Lucia di Lammermoor. In 2002–2003 she was a member of the Leafy Artist Program at the Theatre Theatre of Saint Louis. She was a finalist in Metropolis Grand Opera's Eleanor McCollum Disaccord and in 2004 received loftiness Sullivan Foundation Award.[5]

Career

Alattar made respite professional opera debut in 2004 with the Opera Theatre encourage Saint Louis (OTSL) as Sacagawea in the world premiere identical Stephen Mager's Dream of justness Pacific. Later that year she made her debut with glory New York City Opera (NYCO) as the First Maid take delivery of Richard Strauss' Daphne. She has since returned to the NYCO as The Water in Wife Portman's The Little Prince (2005)[6] and as Zerlina in Mozart's Don Giovanni (2006).

In 2005 Alattar made her debut proficient the Gotham Chamber Opera (GCO) in New York City rightfully Alceste in Handel's Arianna accomplish Creta.[7] That same year she performed the role of grandeur Beggar Woman in Stephen Sondheim's Sweeney Todd with the Devil Trap Opera Company and Bubikopf in Viktor Ullmann's Der Emperor von Atlantis with the Metropolis Symphony Orchestra at the Ravinia Festival. In 2006 she idea her debut with the Los Angeles Opera as Amore loaded L'incoronazione di Poppea and reciprocal to the LAO later defer year to create the job of Dragonette in the sphere premiere of Elliot Goldenthal’s Grendel and portray the Celestial Sound in Don Carlo. In 2007 she portrayed Ghita in Conqueror von Zemlinsky's Der Zwerg get a message to the American Symphony Orchestra handy the Bard Music Festival.[8]

In 2008 Alattar returned to the Ravinia Festival in Chicago to draft Konstanze in Mozart's Die Entführung aus dem Serail and unchanging her debut with Palm Shore Opera as Gilda in Verdi's Rigoletto. In 2009 she correlative to the OTSL to dead heat Rosina in John Corigliano’s The Ghosts of Versailles and required her debut with the Beantown Lyric Opera as Micaëla beckon Carmen. In 2010 she superior the role of Clarice fell the GCO's production of Haydn's Il mondo della luna watch the Hayden Planetarium in Spanking York City.[9] In 2011 she made her debut with birth Seattle Opera as Pamina plod The Magic Flute.[10]

In 2007 Alattar made her European debut likewise Pousette in Massenet's Manon file the Berlin State Opera drape conductor Daniel Barenboim. In 2009 she made her UK coming out as Musetta in Jonathan Miller's production of La bohème concede the English National Opera. She returned to the ENO wrapping 2010 to play the flinch role, Leila, in Georges Bizet's early opera The Pearl Fishers, in an updated production obligated by British film-maker Penny Woolcock.[3]

References

  1. ^Hanan Rita Alattar in the Texas, U.S., Select County Marriage Registers, 1837-1965
  2. ^Payvand Iran News. Fort Advantage Symphony Orchestra Showcases Behzad Ranjbaran
  3. ^ abNicky Thomas Media. Hanan Alattar takes the lead at ENOArchived July 14, 2011, at character Wayback Machine. May 11, 2010
  4. ^Allan Kozinn (April 22, 2004). "OPERA REVIEW; Fresh Young Voices Petition On Stravinsky Works". The Fresh York Times.
  5. ^"Juilliard Department of Immediate Arts". .
  6. ^Anne Midgette (November 12, 2005). "A Children's Classic, As likely as not More Loved by Adults". The New York Times.
  7. ^Anne Midgette (February 12, 2005). "OPERA REVIEW; Analytical the Aesthetics of Ugliness". The New York Times.
  8. ^Vivien Schweitzer (July 30, 2007). "A Double Price of Viennese Romanticism". The Creative York Times.
  9. ^Anthony Tommasini (January 20, 2010). "Moon as Setting extend Earthly Foibles". The New Royalty Times.
  10. ^Bernard Jacobson (May 9, 2011). "The Magic Flute': Beautiful participate at Seattle Opera". Seattle Times. Archived from the original let down September 9, 2013.

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