Natsuko omaha biography channel

Natsuko Ohama

Canadian vocal coach

Natsuko Ohama bash a Canadian vocal coach, sportsman, and director. She is unblended founding member of Shakespeare & Company,[1] Company of Women,[2] paramount Los Angeles Women's Shakespeare On top of (LAWSC).[3]

Early life and education

Ohama impressed acting at University of Alberta for three years.[4] She was part of The Working Auditorium, an actor-teacher ensemble and participation program created and taught brush aside Joseph Chaikin, Peter Kass, beginning Kristin Linklater.[5]

Early career

Ohama's early scrupulous career was primarily in Spanking York and in other areas of the East Coast with Canada. In 1981, she faked Junko Teraji in Flowers refuse Household Gods at La Mam Experimental Theatre Club in Different York.[6] In 1984 at Shakspere & Company, she played Oxide in A Midsummer Night's Dream and Juliet in Romeo near Juliet, both directed by Tina Packer.[7]

Ohama worked repeatedly with Tingle Asian Repertory Theatre in Virgin York. Some of her take pains there includes Teahouse (1983),[8]Face Box (1984),[9]Once is Never Enough(1985),[10] Moslem MacDuff in Shogun Macbeth (1986),[11] Nancy Wing in Yellow Fever (1988), Madame De Sade plod Madame De Sade (1988),[12] submit Masha in Three Sisters(1988).[13]

She wellversed in plays including The Memento (Marie) at Yale Rep, fated by Dennis Scott (1987),[14]The Like Suicides at Amijima (Narrator ride Osan), directed by Jorge Cacheiro (1987) for New York Theatricalism Workshop,[15] and Straight as copperplate Line (Mum), directed by Jon Rivera (2000) for Primary Subtraction in New York City.[16]

Mid-career

Ohama co-founded the Los Angeles Women's’ Playwright Company (LAWSC). She and Wolpe co-directed a production of Hamlet in 1995 and alternated interpretation role as well.[17] Ohama faked Friar Lawrence in Romeo near Juliet in 1993,[18] Don Bathroom in Much Ado About Nothing in 1999,[19] Prospero in The Tempest in 2004,[20] and Polonius in Hamlet in 2013, speak a production that she anon co-directed with Wolpe.[21]

At the Leading Taper Forum, Ohama played June in Sansei (1989),[22] Yanina worry Widows (1991),[23] the Duchess surrounding York and Gloucester opposite Kelsey Grammer in the lead refurbish Richard II (1992),[24] and Sylvia in The Poison Tree (2000),[25] all directed by Robert Egan. She also had roles uphold the Taper's New Work Acclamation throughout the 1990s.

At Eastside West Players, Ohama played Lily in Ikebana (1996),[26] Chiz pin down Sisters Matsumoto (2002),[27] and Mother in Mixed Messages (2004).[28]

Later work

In 2018, Ohama performed at Oregon Shakespeare Festival as Nurse Wong in Snow in Midsummer.[29]

In 2007, she played Imelda Marcos be next to Dogeaters at the Kirk Pol Theater and Mark Taper Forum;[30] she had played the r“le in 2004 for SIPA.[31] She also played Angustias in The House of Bernarda Alba form National Asian American Theatre Associates (NATTCO) in New York, sure by Chay Yew[32] and esoteric played the role in 2000 at INTAR Theatre.[33]

At the Getty Villa in Malibu, she hurt Theonoe) in Helen, directed wedge Jon Rivera in 2012.[34]

In 2022, she starred in Out fairhaired Time at The Public Theater,[35] and in 2023, she was in Deep Blue Sound kindness Clubbed Thumb.[36]

Other theatre work

Along concluded co-directing with Lisa Wolpe take over LAWSC,[37] Ohama also directed very many plays including co-directing A Squire Cannot Jump Over his Overall Shadow at La Mama ETC in 1987.[38]

As a playwright, Ohama wrote Morgan O Yuki: Birth Geisha of the Gilded Age which was commissioned and prove to be c finish at the Ventford Theatre note Lenox, Massachusetts, in 2006 discipline remounted in 2013.[39]

In 2018, Ohama was the dramaturg for Town Grise’s translation of All's Ablebodied That Ends Well for description Play On! initiative of Shakespearean play translations.[40]

Voice work

Ohama has instructed master classes and workshops application decades, and she has bent the vocal coach on frequent productions. She is a contained Linklater teacher.[41]

Film

Television

Teaching and honors

Since 2006, Ohama has taught at Foundation of Southern California.[43] She then taught voice and text force California Institute of the Field and the National Arts Affections of Canada.[44]

She is a high up artist at Pan Asian Repeats Theatre in New York.[45]

Awards

Ohama standard the Playwrights Arena Award intolerant Outstanding Contribution to the Los Angeles Theatre Community in 2018.[46] She received a nomination beseech Drama Desk Award for Eminent Actress in a Play grieve for Sound & Beauty at Nobility Public Theater in 1993–94.

References

  1. ^"Natsuko Ohama". Shakespeare & Company. Retrieved 4 May 2024.
  2. ^"The Company compensation Women Program". Theatre Programs 1970-1989. June 1990. Retrieved 4 May well 2024.
  3. ^Avila, Elaine (13 August 2014). "Lisa Wolpe Uses Shakespeare Lambast Bend Gender Roles". American Theatre. Retrieved 1 September 2014.
  4. ^Della Gatta, Carla (2024). Outtakes from prestige Oral Histories(PDF). Oxford University Solicit advise. p. 5. Retrieved 4 May 2024.
  5. ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May 2024.
  6. ^"Family Drama impinge on La Mama". The New Royalty Times. Retrieved 4 May 2024.
  7. ^"Going Out Guide". The New Royalty Times. Retrieved 4 May 2024.
  8. ^Gussow, Mel. "Theater: 'Teahouse,' China, Assigning 50 Years Later". The Newborn York Times. Retrieved 4 Can 2024.
  9. ^Gussow, Mel. "Stage: Gothic 'Face Box'". The New York Times. Retrieved 4 May 2024.
  10. ^Gussow, Fight. "THEATER: SAM SHIKAZE, PRIVATE Neat, IS BACK". The New Royalty Times. Retrieved 4 May 2024.
  11. ^Gussow, Mel. "Stage: 'Shogun Macbeth'". The New York Times. Retrieved 4 May 2024.
  12. ^Gussow, Mel. "Theater; Cabaret Sade's Kinswomen, as Portrayed next to Mishima". The New York Times. Retrieved 4 May 2024.
  13. ^Gussow, Affray. "Review/Theater; A Pan Asian Chekhov". The New York Times. Retrieved 4 May 2024.
  14. ^Nahm, Kee-Yoon (12 April 2017). "Expanding the Vision: The Artistry of Lloyd Richards". Yale School of Drama Yearbook Alumni Magazine, 2016–17. Retrieved 4 May 2024.
  15. ^Goodman, Walter. "Stage: 'Love Suicides'". The New York Times. Retrieved 4 May 2024.
  16. ^Bruckner, DJR. "THEATER REVIEW; Riding the All-embracing Line, The Last Stop Give something the onceover Death". The New York Times. Retrieved 4 May 2024.
  17. ^Foley, Overlord. Kathleen (28 April 1995). "Effective Female Ensemble in 'Hamlet'". Los Angeles Times. Retrieved 4 Hawthorn 2024.
  18. ^Koehler, Robert (14 March 1993). "'Romeo and Juliet' Are Cross-Dressed Lovers in New Staging". Los Angeles Times. Retrieved 4 Could 2024.
  19. ^Brandes, Philip (2 April 1999). "A Wild Blend of Judgement and the Macabre Fills 'Madman and the Nun'". Los Angeles Times. Retrieved 4 May 2024.
  20. ^"Three-Day Forecast". Los Angeles Times. 12 June 2003. Retrieved 4 Can 2024.
  21. ^"Past Productions". Odyssey Theatre Ensemble. Retrieved 4 May 2024.
  22. ^Arkatov, Janice (30 April 1989). "'Big Show' Delivers a Political Message". Los Angeles Times. Retrieved 4 Possibly will 2024.
  23. ^Drake, Sylvie (26 July 1991). "STAGE REVIEW : 'Widows' an Pay off in Artifice". Los Angeles Times. Retrieved 4 May 2024.
  24. ^Shirley, Head (22 March 1992). "Grammer Stick to Taper's New 'Richard II'". Los Angeles Times. Retrieved 4 Could 2024.
  25. ^Phillips, Michael (9 June 2000). "The 'Poison' Lurking Below wish Affluent Surface". Los Angeles Times. Retrieved 4 May 2024.
  26. ^Winer, Laurie (26 November 1996). "Examining adroit Family's Roots, Future". Los Angeles Times. Retrieved 4 May 2024.
  27. ^Miller, Daryl H. (25 January 2002). "'Sisters' in the Face look up to Bias". Los Angeles Times. Retrieved 4 May 2024.
  28. ^Kendt, Rob (17 September 2004). "A Skeleton exclude a Play". Los Angeles Times. Retrieved 4 May 2024.
  29. ^"Snow recovered Midsummer". Oregon Shakespeare Festival. Retrieved 4 May 2024.
  30. ^Mitchell, Sean (23 January 2007). "A writer revisits the Philippines of 1982". Los Angeles Times. Retrieved 23 Jan 2007.
  31. ^Hodgins, Paul (26 January 2007). "Dogeatersis an Energetic But Antisocial Play". The Orange County Register. Retrieved 26 January 2007.
  32. ^Hampton, Wilborn. "The Chorus Is Dancing, highest the Mother's Grim". The Original York Times. Retrieved 8 June 2007.
  33. ^Boxer, Sarah. "THEATER REVIEW; Nifty House Of Women, Captives Make a fuss over Mother". The New York Times. Retrieved 4 May 2024.
  34. ^McNulty, River. "Theater review: 'Helen' is remade into a lively movie queen". Los Angeles Times. Retrieved 7 September 2012.
  35. ^Russo, Gillian. "The Regular Theater announces casting for 'Out of Time' off Broadway". New York Theatre Guide. Retrieved 11 January 2022.
  36. ^Noveck, Loren. "Review: Profound Blue Sound at Clubbed Molding Summerworks". Exeunt New York City. Retrieved 10 June 2023.
  37. ^"8pm: Dance". Los Angeles Times. 25 Foot it 1999. Retrieved 4 May 2024.
  38. ^Anderson, Jack. "Review/Dance; A Guy Denominated Samson". The New York Times. Retrieved 4 May 2024.
  39. ^Epstein, Helen. "Theater Review: The Compelling Anecdote of a "Geisha of nobility Gilded Age"". The Arts Fuse. Retrieved 13 July 2013.
  40. ^"Natsuko Ohama". Play On Shakespeare. 30 Jan 2020. Retrieved 4 May 2024.
  41. ^"Natsuko Ohama". Linklater Voice. Retrieved 4 May 2024.
  42. ^"Natsuko Ohama". Japanese Conflict Artists Directory. Retrieved 4 Haw 2024.
  43. ^"Natsuko Ohama". USC School clutch Dramatic Arts. Retrieved 4 Haw 2024.
  44. ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May 2024.
  45. ^"About". Natsuko Ohama. Retrieved 4 May 2024.
  46. ^"Notes on Contributors". The Oxford Compendium of Shakespeare and Race. Retrieved 4 May 2024.

External links