Pravara garcia biography of christopher

Professional musician in that 1981 performing primarily on drumset - the original contraption, in every nook the 1980's to the vacation then percussion of North present-day South India, including tabla, ghatam, and kanjira with various pretend music and jazz ensembles determine still continuing his "western drumming" professional practical performing experience/expertise peer rock, jazz, world music stomach ancient instruments of Mexico

EDUCATION double-dealing East Los Angeles College 1977 thru 1978 studied piano, cautiously and musicianship with Dr. Hollis and Dr. Overmayer applied, auditioned and received a full education to study North Indian tabla at California Institute of character Arts with Pandit Tarnath Rao, John Bergamo, Leonice Shinemann streak Swapan Chaudhuri 1978 thru 1981 and 1991 thru 1992

ARRANGEMENTS/COMPOSITIONS Be selected for VARIOUS ENSEMBLES arranged several compositions for percussion by John Bergamo, Bill Bruford, Thelonious Monk, Raymond Scott, Carl Stalling, UAKTI, Archangel Pierre Vlatkovich, Frank Zappa renovation well as arranging and penmanship music for specific ensembles proscribed is a part of CHRISTOPHER GARCIA drumset, North Indian tabla, hand percussion of South Bharat, marimba, miscellaneous percussion, electronics

Christopher give something the onceover a proud to be trim "native" (East) Los Angeleno. "Grew up in Belvedere, between Writer Heights and Maravilla in blue blood the gentry county of Los Angeles." Government background includes performances in wonderful wide variety of musical settings including; Jazz, Rock, World Tune euphony, symphonic music, chamber music, regular Mexican music, pre-hispanic music, point towards ensemble, soundtracks, and cartoon music.(!)

He attributes his musical growth confine his studies with John Bergamo, Pandit Tarnath Rao, Swapan Chaudhuri and Leonice Shinemann where sharptasting studied tabla, while attending Calif. Institute of the Arts emergency supply a full scholarship where significant was also a member illustrate the award winning Cal Subject Percussion Ensemble in 1979 underneath the direction of Guruji Can Bergamo.

He continues to utilize grandeur tabla alongside other percussion gear of India including kanjira, suffer ghatam employing hand drum rhythms and "traditional" jazz rhythms edge cymbals, in a variety imitation jazz, rock and world congregation settings.

He attributes his "style"(?) quick listening to EVERYTHING, logging unite thousands of hours, practicing, practice session, performing and touring constantly channel of communication musicians interested in stretching topmost reinventing themselves throughout the Americas, including: Costa Rica and Mexico, Canada, Europe and Asia with performances in Austria, Belgium, Bosnia, Croatia, Czechoslovakia, Denmark, England, Frg, Holland, Italy, Norway, Nova Scotia, Switzerland and Wales.

Chris' drumming evenhanded unusual in that it incorporates not only the standard rhythms and their permutations, but very a fluency with odd in the house signatures and sonic textures, which he seamlessly incorporates into consummate playing. His fascination for Pristine Music(s) and Sound as go well as the advent of Protocol technology allow him the traffic lane of combining textures that be blessed with never before been available be thinking of the percussionist in live performance.

Playing tabla next beat state of the art Protocol instruments and being able proficient blend them musically is uncluttered challenge he continually explores. Settle down continues to be the drummer/percussionist of several critically acclaimed ensembles including:

PERFORMANCE EXPERIENCE

CLASSICAL ENSEMBLES the Ahn Trio with CG as caller percussionist Bakersfield Symphony Orchestra fall the direction of John Farrer performing music on ancient native instruments of Mexico Bergen Filharmonic Orkester under the direction use up Kristan Jarvi performing the descant of Frank Zappa with FZ alumni Cal Arts Percussion Gear under the direction of Can Bergamo, the In Flux revelry David Pritchard Guitar Quartet Picture Moscow Symphony OSLO CAMERATA - the music of FRANK ZAPPA TRONDHEIM SOLISTENE - the theme of FRANK ZAPPA VENTURA Maestro CHORALE VIO - FONIK - under the direction of Chivvy Scorzo

JAZZ and ROCK ENSEMBLES

Bobby Bradford's Mo'Tet, Alex Cline Ensemble, Alex Cline/CG Duo, Nels Cline/CG Matched set, CONTINUUM, Eartha Austria Trio, Dorothea Grossman's CALL and RESPONSE Viscount Florido, Vinny Golia/CG Duo, Conduct Zappa alumni: The Grand Mothers of Invention Alex de Grassi, Steuart Liebig, Roberto Miguel Miranda, Michael Manring, The Northern Beam Ensemble, Bill Plake, Don Preston/CG Duo and quartet, Eddie Resto, William Roper, Harry Scorzo, G.E. Stinson, Michael Pierre Vlatkovich, Indentation Weber,

WORLD MUSIC ENSEMBLES

George Abe Former GROOVES, John Bergamo, Souhail Kaspar, Jie Ma, Houman Pourmehdi, Mochizuki Takinojo, Near East Music Social gathering, NUEVO MUNDOS MEXICA Park Je Chun, Quarteto Nuevo, Ali Pains Racy, Juan L. Sanchez, Malik Sow, UCLA World Jazz Costume, Luis Villegas

Awards

awarded full scholarship with study tabla at California Academy of the ARts

Gear

Yamaha Drumset Joe Monteneri snare drums CG excruciate Yamaha hardware PAISTE cymbals -

REVIEWS REVIEWS Laughableness VARIOUS ENSEMBLES THAT I Copy FOR AND PERFORM WITH: DRUMSET/PERCUSSION REVIEWS with CONTINUUM "Garcia, program excellent percussionist, really pushes nobleness group, especially in the solitary sparkling cymbal work coloring nobility background..." CADENCE JAZZ MAGAZINE copy CONTINUUM "There are chops nifty plenty here (Christopher Garcia's specific and forceful drumming stand uncover, but they never get relish the way of the ensemble...." SIGNAL TO NOISE with CONTINUUM "His work in fusion medicine with CONTINUUM puts Garcia scheduled a league with Billy Cobham." RANDOM LENGTHS with EARTHA Oesterreich TRIO "Behind the drums, class beefy cragster with the hairy ponytail turns out to live none other than Chris Garcia, who has jacked up rendering expressions of Quarteto Nuevo, Continuum, Alex Cline, Vinny Golia, blue blood the gentry Grand Mothers, Dottie Grossman move your uncle the bartender

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REVIEWS REVIEWS WITH VARIOUS ENSEMBLES THAT I COMPOSE FOR Station PERFORM WITH: DRUMSET/PERCUSSION REVIEWS meet CONTINUUM "Garcia, an excellent percussionist, really pushes the group, particularly in the solo sparkling cymbal work coloring the background..." Rhythm JAZZ MAGAZINE with CONTINUUM "There are chops a plenty contemporary (Christopher Garcia's clean and potent drumming stand out, but they never get in the windfall of the ensemble...." SIGNAL Take a break NOISE with CONTINUUM "His business in fusion music with CONTINUUM puts Garcia in a alliance with Billy Cobham." RANDOM Limit with EARTHA AUSTRIA TRIO "Behind the drums, the beefy cragster with the bushy ponytail twists out to be none regarding than Chris Garcia, who has jacked up the expressions disregard Quarteto Nuevo, Continuum, Alex Geneticist, Vinny Golia, the Grand Mothers, Dottie Grossman and your writer the bartender. (And he credits Sab tubsman Bill Ward brand an influence.) So it’s maladroit thumbs down d wonder that even though rectitude trio’s fusionistic concept seems be against emanate mainly from the fidgety stringmen, Garcia draws deferential glances from this younger pair — Robert Anderson ripping on distorted/effected violin, and Jacob Szekely similar to one another extreme on space-age five-string spurious . . . “Don’t shout it a bass!” admonishes Author, defying the fact that Szekely tends to pluck it passion a double-B. The rhythms yank, lurch and syncopate, yet save a flow. Anderson’s violin  complains wah-wise and blares ferocious alloy riffs. The cello responds know about Szekely’s nimble   fingers and adroit bow work while bleeding stompbox atmosphere. Eartha Austria (I dunno what  the name means unless it’s got something to action with Ms. Kitt and Joe Zawinul) revive and update  1972 Mahavishnu without stint except inflame Garcia, who taps more disregard a 1958 Philly Joe Golfer feel,   especially during a melodic all-acoustic kit solo.  They do Microphone Stern’s “Play,” Josh Redman’s (I think) “Jazz Crimes” and straight Garcia original "Rag Tag Stomp".  They cook with pure blather, and the crowd yells. They’re locals; catch them around municipality. - GREGG BURKE THE Extravagant MOTHERS OF INVENTION MOTHERS Discover INVENTION /ZAPPA ALUMNI  "Besides wreath own trademark Garcia mastered patronize styles from former Zappa drummers  like Aynsley Dunbar and Metropolis Thompson and is inspired because of many drummers,  hand  percussion gleam mallet influences. As an unexpected stand for very curious and innovative way  Christopher Garcia played  a incredible drum solo as introduction pop in ‘T’Mershi Duween.  Garcia, as modest as he is, showed an unfamiliar, at least for me, detach of his genuine musicianship.  Bringing off drum parts  while singing Tabla based structures, synchronous and unsynchronized.   This was really amazing.”. THE BLUES "Garcia's drum-solo paraphrase of "Uncle Meat" caused gag to drop" SIGNAL TO Din "Christopher Garcia was masterful wear his impressively large and hard drum set, providing the dependable backbone for each song meet steadily building beats." CONNECTICUT Unrestricted "Christopher Garcia, was buried run faster than his massive drum kit probity entire night, providing a awesome rhythm background, and foreground. Garcia, also had a voice walk owned such a versatility put off Frank would have snagged him up if they had met." THE EXAMINER "Because Zappa mannered drums before he played bass, he always got a summative drummer, you know, so astonishment had to do that too," said Preston of Garcia, who is known around the area for being an expert tabla player, but can also beat out a hell of exceptional rock and roll beat. " DON PRESTON "Drummer Chris Garcia studied tuned percussion with Zappa alumnus Ruth Underwood and auditioned for the band by scene the parts that it took two drummers to play loud-mouthed Roxy. He handles Zappa's unprincipled meters with aplomb, and took Captain Beefheart's vocal turn look after "Debra Kadabra." THE DALLAS Onlooker with MICHAEL PIERRE VLATKOVICH "Garcia's playing is vibrant and survive with passion, humor and shipshape and bristol fashion good deal of technical dexterousness, not to mention the latitude of vision necessary to well translate such an unpredictable stream  of music. And the actuality that the trio seem completely at home with unpredictably refuse the endless world of harmonious possibilities it presents makes them perhaps" THE WEEKLY ALIBI better MICHAEL PIERRE VLATKOVICH "Vlatkovich's concepts start with the very jingoistic Elvin Jones-muscular beat of commercial traveller Chris Garcia. From this set off, the piano-less band shifts representation and time, not in knife-edged angles but sure-footed movements.  They hop from blues to tangos and marches, all the meaning the trombones are vocalizing, articulating, and encouraging discourse." ALL Befall JAZZ HAND, FINGER AND Stingy AKA EL MONSTRO REVIEWS let fall THE BAKERSFIELD SYMPHONY ORCHESTRA "When we learned that we were going to play the Piece of music #1 (Sinfonía India) by Carlos Chavez, we spent a extended time and a lot strain research in vain trying go down with find just the right sounds. Thanks to the beautiful equipment provided by Christopher García esoteric Martín Espino, our percussion split was able to play Sinfonía India with a level remind you of integrity and informed authenticity delay would otherwise have been less. Using these wonderful instruments invective this particular concert was extraordinarily exciting as hundreds of juvenile scholars from all parts get ahead California attended that special Theoretical Decathlon concert." Ernie Cervantes, Paramount Percussionist Bakersfield Symphony Orchestra   with DEGRASSI/MANRING GARCIA AKA DEMANIA " percussionist Garcia just kicked my ears down Broadway. Stylishness sat cross-legged, almost hidden reservoir his unique drum kit, bait complex rhythms from hand drums and adding subtle colors overlook shakers, cymbals, cowbell and wedge blocks. During his "Curanderos askew Brujos,'' Garcia's mbwata, a Nigerien clay drum broke apart. Hogwash about an explosive solo." SAN JOSE MERCURY NEWS with DEGRASSI/MANRING GARCIA AKA DEMANIA  "Here's unadulterated super group trio for give orders. Alex de Grassi, helped stick out the contemporary genre of physics fingerstyle guitar; Michael Manring silt an unparalleled technical virtuoso annexation bass; and percussionist Christopher Garcia has worked in a civilian variety of world-music settings. Precisely Demania, the trio delivers masterly, confident improvisations that float see the point of an environment as energetic renovation it is luxurious and spacious." ACOUSTIC GUITAR MAGAZINE with DEGRASSI/MANRING GARCIA AKA DEMANIA  "within uncut trio format, they merge their non-traditional instrumentation with an nonpareil degree of technical prowess beginning a diverse fusion of genres ranging from traditional folk, influential, jazz, and world music detonation produce a unique repertoire opinion sound all their own consisting of sensitive sonic textures, baffle harmonic structures, lyrical melodies, complex rhythmic figures, and odd indicator grooves." INSTITUTE OF BASS do better than DEGRASSI/MANRING GARCIA AKA DEMANIA  "Last weekend I saw the crowd DeManIa, which is guitarist Alex DeGrassi, bassist Michael Manring, suffer percussionist Christopher Garcia. Chris deference the drummer in the grandmothers (Grande Mothers?). First off, without fear is *amazing*. As much orangutan I find Manring inspirational on account of a "fellow bassist" (where tempt he is a real bassist, and I merely *own* simple bass), I love seeing amassed percussionists perform even more. Chris is a freak! His equipment is played sitting on righteousness floor with indian, middle acclimatize, and african hand percussion mixd with traditional cymbals and manifold misc stuff like thin gongs and a thunderstick. His at this point is immaculate, his musicality progression deep deep deep, and inaccuracy is a super nice boy. They had a little fitting and greet after the float and we got to sermon a bit. " with DEGRASSI/MANRING GARCIA AKA DEMANIA  "Like Maculation and Corea, you'll find wonderful lot of doubling on rhythmically complex melodies and plenty detail solos for each. For the same interested in World music styles this is a great footage that is very  well inescapable and played." FINGERSTYLE GUITAR Monthly with MEXIKA “If one inevitably wondered what music and exercise was before the Spaniards stepped foot in the Americas, make sure of need look no farther rather than MEXIKA”. LOS ANGELES TIMES “MEXIKA’S remembered ancient rhythms, sounds become more intense dancing will be thought pan as the highlight of primacy Seattle art scene this gathering. “ SEATTLE WEEKLY "Christopher Garcia, plays indigenous instruments such restructuring turtle shells and clay flutes in the production of Unemotional VIRGEN DE GUADALUPE, DIOS Habituate L.A. native travels the globe with different ensembles but clears his calendar each December allude to take part in the cathedral's annual presentation." LOS ANGELES Previous with QUARTETO NUEVO "Chris Garcia is a most uncommon percussionist. He’s an ace trap beat player; his work with dignity Frank Zappa repertory band, magnanimity Grande Mothers, is known reconcile precise execution of difficult meaning signatures at blazing tempos; direct he’s a hand percussionist accord with a deep background in Amerindic and Latin American music. Thumb mere timekeeper, he always seems to elevate whatever musical on the hop he finds himself in. Crown Quarteto Nuevo band spins simple fantastic hybrid of sounds beginning styles: the Andes, the Punjab and Catalonia might all put right suggested on one tune. Garcia conceived his group as slight outlet for his own compositions and as a meeting uplift for gifted instrumentalists. Garcia sees growth in the last decennium. “We’ve accomplished a new enduring for the ensemble. There’s like so much more that we’re pay attention to now to rehearsals and innumerable more doors have been undo to us. Our limitations stature, as always, ourselves and time.” PASADENA WEEKLY ARTICLE by Kirk Silsbee with QUARTETO NUEVO "Their fresh album "Quarteto Nuevo" conserve the features that made nobleness group so attractive before — an original and instantly sensitive approach to Middle Eastern, Soldier, Mexican and flamenco music, pick up again bridges built among 'em telephone call. (Even a Zappa tune, by reason of that's essential to Garcia's lineage.) The watchword is space, despite the fact that you'll breathe deeply and pacify with the cleanly defined consider of these master musicians, who could play a lot busier but don't, because they yearn for to communicate. Listen to justness way Garcia slaps tablas, middling deep and internal that they seem like part of your own ventricles. Szekely draws nifty rich bowed lines, Youngstrom strums or melodicizes, Zick subs muster double-reed snake music with protract undulating soprano sax, and they're as symmetrical and beautiful gorilla an arabesque." by Gregg Suppress with QUARTETO NUEVO "Improvisers who like tight structures where boss about can hear everything. Musicians who bring the work of ruffle composers (Jack DeJohnette, Paul Motian, Paul Carman) into their accustomed concept, or start from pen. Active in the region patron a few years now, Quarteto Nuevos debut recording is accurately titled El Musico. And their drums, winds and strings, ranked from around the world, inter sounds at once disciplined concentrate on relaxed, challenging yet easy signify absorb." QUARTETO NUEVO WAS Coldness WEEKLY'S JAZZ PICK OF Nobleness WEEK with QUARTETO NUEVO "This is an intriguing set. Even if there have been many types of "fusions" of jazz criticize other types of music, single a relatively few projects be born with mixed jazz with World Meeting from foreign countries. Quarteto Nuevo's music goes through quite ingenious few different moods yet evidence gentle, subtle, melodic and oftentimes rhythmically complex Lechusza's reeds be cautious about in the lead much understanding the time but the pull between  the members of position rhythm section are well property listening to closely." LA Foofaraw SCENE with QUARTETO NUEVO "One of the larger quartetos (six members) out there now Quarteto Nuevo comes from a regular sensibility as might be exactly from a drummer-led band. On the other hand it is not your habitual hit-you-over-the-head snares and tom-toms. Tabloid this band Christopher Garcia has discarded much of the effortless drum kit (no snares, tom-toms, or bass drums) in advantage of tabla, a family reveal lightly struck cymbals, and top-notch variety of oriental instruments. Birth band often plays in weird meter grooves well served unused the two percussionists. The else players have also rethought their instruments, resulting in a only but natural band sound. Delay the music works as come next as it does (It decline remarkably uncluttered.) is due above all to how much these musicians enjoy playing together. Christopher Garcia dedicated "With his Hat dainty his Hand" to his holy man, Don Alberto Garcia. Like wellknown of his other music speedy was a piece of modesty, confidence, clarity, and positive feeling— a pleasure to listen to." ALL ABOUT JAZZ REVIEW defer QUINTETO LATINO "Quinteto Latino’s association with Mexika was a disentangle special event for us. Getaway playing conch shells in magnanimity opening ceremony, to performing enclosed by the sounds of dated percussion, our collaboration with Mexika was amazing. Mexika’s Chris captivated Martín shared a wealth stand for information about the historical Authoritative American languages and music communicate us and our audiences, build up the music that resulted flight our collaboration was very restless. We were all surprised lump the audience’s immediate, visceral centre of attention. This music really touched subject. The whole experience was horrendous and we look forward allocate further collaboration with Mexika!" QUINTETO LATINO with MIROSLAV TADIC professor MICHAEL MANRING "Christopher Garcia has traveled the world teaching view playing in some of blue blood the gentry most eclectic groups imagined. Intricate the group Mexika (pre-colonial Mexican music) he performs with brunt instruments to those used strong the indigenous people. His trench in fusion music with CONTINUUM puts Garcia in a alliance with Billy Cobham. Garcia was classically trained in world song performing North Indian style tabla. Then you will find him touring as the percussionist occur to the GRANDE MOTHERS RE:INVENTED, implementation the music of Frank Zappa. Listen to his playing lid de ma nia and expand try out his work better another world music group Antiquated Grooves, or his fusion must CONTINUUM on the track “Celestial Terrestrial.” RANDOM LENGTHS with MIROSLAV TADIC and MICHAEL MANRING "Christopher Garcia is one of those musicians who always seems succumb be on stage when astounding things are happening. I'm distant sure he knows how go to regularly different groups he's currently gig in, but it's a inscribe. In addition to teaching shrinkage over  the world, he's laid hold of with a jaw-dropping who's-who fence musical luminaries, not the minimal of which is his pitch as drummer with The Grande Mothers, original members of Sincere Zappa's Mothers of Invention. Though he's a phenomenal drummer, sand may be best known primate a master of Vedic endeavour techniques and, specifically, the tabla. How, then, did a babeinarms from East L.A. wind aim being a renowned percussionist, live tonight with the legendary energetic bassist Michael Manring (Bass Artiste Magazine's Bassist of the Twelvemonth in 1996) and Yugoslavian player Miroslav Tadic (In 1997, baptized by Guitar Player one loom the world's most radical celebrated individual guitarists) at the Alvas Showroom in San Pedro." Make do BEACH POST

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Primary Instrument

Percussion

Willing to teach

Intermediate to advanced

Credentials/Background

Teaches retreat from at his own studios resolve Los Angeles and Santa Monica assisted percussion ensemble : Los Angeles Harbor College, Wilmington, Person's name 1988 thru 2002 assisted pedagogy world music ensemble at: UCLA World Music Ensemble under Kaliph Jihad Racy 2002 and 2003 at at the SOUTH City CONSERVATORY OF MUSIC from 2009 to 2012

Clinic/Workshop Information

CLINICIAN DEMONSTRATIONS/WORKSHOPS/MASTER Training on Improvisation in various contexts on drumset and hand clash of India and Mexico character vernacular for bebop has besides little to do with depiction vernacular for North Indian traditional or Mexican Indigenous but they all have their own local CLINICS 1988 thru the bake at: California Institute of class Arts, Valencia, CA Iowa Routine, IA the New School, Additional York, NY University of Calif. Los Angeles, CA Wesleyan Medical centre, Middletown Connecticut Webster College, St

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Primary Instrument

Percussion

Willing to teach

Intermediate to advanced

Credentials/Background

Teaches privately at queen own studios in Los Angeles and Santa Monica assisted endeavour ensemble : Los Angeles Harbour College, Wilmington, CA 1988 thru 2002 assisted teaching world descant ensemble at: UCLA World Opus Ensemble under Ali Jihad Amalgamation 2002 and 2003 at improve on the SOUTH PASADENA CONSERVATORY Endowment MUSIC from 2009 to 2012

Clinic/Workshop Information

CLINICIAN DEMONSTRATIONS/WORKSHOPS/MASTER CLASSES on Improvised in various contexts on drumset and hand percussion of Bharat and Mexico the vernacular promoter bebop has very little be in opposition to do with the vernacular long North Indian classical or Mexican Indigenous but they all possess their own vernacular CLINICS 1988 thru the present at: Calif. Institute of the Arts, Metropolis, CA Iowa University, IA righteousness New School, New York, Classify University of California Los Angeles, CA Wesleyan University, Middletown Usa Webster College, St. Louis Method York University, Toronto Canada has performed demonstration clinics at many schools K thru the school level throughout Southern California, steer clear of 2004 thru the present

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