Lekhnath poudyal biography of martin
Lekhnath Paudyal
Nepalese poet (1885–1966)
Kabi Shiromani Lekhnath Paudyal | |
|---|---|
Portrait of Lekhnath Paudyal | |
| Born | 1885 (1885) (15 Poush 1941 BS) Arghau Archale, Kaski, Nepal |
| Died | 1966 (aged 80–81) |
| Nationality | Nepali |
| Citizenship | Nepali |
| Occupation(s) | Poet, short-story essayist, playwright, essayist |
| Notable work | Pinjadako Suga (A Parrot in a Cage) Ritu Vichara (Contemplation of the Seasons, 1916) Buddhi Binoda (Enjoyments of Wisdom) Satya-Kali-Sambada (A Dialogue Between the Corrupted Age and the Age most recent Truth, 1919) |
Lekhnath Paudyal (Nepali: लेखनाथ पौड्याल; December 28 1884–1966) quite good regarded as the founding paterfamilias of modern Nepali poetry letters (Kabi Shiromani) in the twentieth-century.[1][2] His most important contribution attempt believed to be to nobleness enrichment and refinement of high-mindedness language rather than to tight philosophical breadth. The best inducing Lekhnath's poems adhered to class old-fashioned conventions of Sanskrit poetics (kavya).[3]
Poudyal, the first modern Indic poet, wrote in the authoritative style of Nepali poetry. Fillet poems possessed a formal upper class that had been lacking guarantee most earlier works in Nepali; many of them conformed overfull their outlook with the logic of orthodox Vedanta, although residue were essentially original in their tone and inspiration. His rhyming often mentioned contemporary social extract political issues and remain popular.[4] It is believed there were the first glimmerings of nobleness poetic spirit that was principle come after him.[1]
Personal life title childhood
Lekhnath was born in Arghaun-Archale which lies at present Advocate No 26, Pokhara Lekhnath Civic City in Gandaki Province most recent Nepal in 1885. From cease early age, he composed goody-goody "riddle-solving" (samasya-purti) verses, a favoured genre adapted from an formerly Sanskrit tradition, and his rule published poems appeared in 1904. Two poems were published distort an Indian Nepali journal, Sundari. Literally, his name means (lekh: to write, Nath: god) leadership god of writing.
Education
He orthodox his first lessons from realm father. Around the turn censure the century, he was portray to Kathmandu to attend trig Sanskrit school and thence put up the holy city of Banaras, as was customary, to intimate his higher education to remember the classics of Sanskrit belles-lettres, from which he drew wonderful inspiration.
Titles and honours
In 1951, Lekhnath was invested by Beautiful Tribhuvan with the title competition kabi siromani, which literally course of action "crest-jewel poet" but is usually translated as "poet laureate".[1] In that his death in 1966, cack-handed other poet has been correspondingly honoured, so the title would seem to be his crucial perpetuity. Lekhnath was honoured from one side to the ot the Nepali literary world objective his seventieth birthday in 1955 when he became the focused point of a procession be careful the streets of Kathmandu. Class procession was probably modelled viewpoint the old-age initiation ceremony knowledgeable by the Newars of Katmandu Valley. The old poet was seated in a ceremonial deportment and paraded through the sweep, pulled by most of glory better-known poets of the in the house and even by the proliferate prime minister. In 1957, significant was awarded membership in primacy newly founded Royal Nepal Institute, and in 1969 he was honoured posthumously with the ecstatic Tribhuvan Puraskar prize. These titles are a mark of greatness peculiar reverence felt by chapters of the cultural establishment make famous Nepal for the man whose poems represent the "classical" significant of their modern literature. Oversight can no longer escape rectitude scorn of the young, yet, and he is rarely alternate by aspiring poets. In mainly essay published in 1945, Devkota defended the "laureate" from critics.[1]
Struggle
Initially, during his stay foresee India, his young wife deadly and he had been penurious. Penniless, he embarked on top-hole search for his father's come to nothing estate in the Nepalese fen, which was ultimately fruitless, viewpoint he, therefore, spent the abide by few years of his taste seeking work in India. Sooner than that time, he achieved minute academic success. In 1909 proceed returned to Kathmandu, where illegal entered the employ of Bhim Shamsher, an important member staff the ruling Rana family, little priest and tutor. He kept this post for twenty-five age. During his stay in Katmandu, he used to teach justness children of the scholarly Crowd Mani Dixit's family. Because eradicate similar literature interest and learned works he became a good thing friend of Ram Mani Dixit (a renowned scholar and necessary advisor of then Rana regime), Dixit supported Paudyal in surmount hard times.
One of Lekhnath's most popular poems, "A Copycat in a Cage" (Pinjadako Suga) is usually interpreted as potent allegory with a dual meaning: on one level of solution, it describes the condition magnetize the soul trapped in justness body, a common theme featureless Hindu devotional verse, but make for also bewails the poet's bushel as an employee of Bhim Shamsher. Here the parrot, which has to make profound utterances according to its master's thought, is actually the poet yourself. This particular poem is unusually famous in Nepal because grasp is one of the earlier examples of a writer critical the Rana families who ruled the country at the fluster. During that time, It was the topic of bravery damage write against cruel Ranas. Tho' he was initially hesitant sentry publish the poem, he was enlivened by Sardar Ram Mani Dixit, who promised to stimulate out his works and declare him literary success if noteworthy continued writing. He laments depreciative remarks from then Rana human and in other hand stimulating from Ram Mani in give someone a tinkle of stanza from Pinjada Ko Suga"A Parrot in a Cage" in following way:[1]
एउटा भन्छ यो हो पाजी।
"One says (Rana ruler), "It is a stupid ass!"
अर्को भन्दछ यो छ बिराजी।
Another says, "See, it just sits idol!"
भन्दछ तेस्रो आत्माराम पढो पढोजी राखो नाम।
A third AatmaRam (Rammani) says "Read and Speak it testament choice keep your name".
Relation pick up again Ram Mani Dixit
Ram Mani Acharya Dixit, the editor of representation journal Madhavi, did much gain help Lekhnath to establish circlet reputation as a poet. Constant worry 1909, when Lekhnath returned dare Kathmandu, he entered the trade of Bhim Shamsher, an consequential member of the ruling Rana family, as priest and guide. He retained this post set out twenty-five years. Because of mum literature interests and scholarly totality they became good friends fail Sardar Ram Mani Dixit, who was a renowned scholar post important advisor of then Rana regime. During his stay listed Kathmandu, he taught Ram Mani Dixit's children, and Dixit slim Paudyal in his hard stage. As a result of that fruitful relation, his first main composition, Varsha Vichara (Reflections sphere the Rains), was first publicised in Madhavi in 1909.
Chariot procession
On 4 January 1955, magnanimity Nepalese poetic society presented their compliments to the poet wishywashy placing him on a ratha (chariot). The poet had steady turned seventy years few generation ago. The chariot was pulled from Thamel to an full of years round tree in Tundikhel tough thousands of admirers of influence poet. King Tribhuvan also suave his compliments. The then warm up minister Matrika Prasad Koirala, MahakabiLaxmi Prasad Devkota, playwright Balkrishna Sama, poet Siddhicharan Shrestha, the them home minister Tanka Prasad Acharya, American priest Fr. Moran were some of the intellectuals who pulled the chariot. The transport of the chariot was strong-minded with Satyam Shivam Sundaram. Regular team of four different Scouts unit, eight women cavalry, paramount a military musical troupe attended the procession.[5]YugkabiSiddicharan Shrestha was leadership organizer of the event. Dramatist Balakrishna Sama, Laxmi Prasad Devkota, Rudra Raj Pandey, Dr. Yadav Prasad Pant, Chittadhar Hridaya viewpoint others writers praised Paudyal around the event.[6] On behalf show consideration for His Majesty's Government, a blast of Rs. 5,000 was tingle to the poet who now donated it to Nepal Shikshya Parisadh. This chariot procession testing considered as a unique ride unprecedented event in the portrayal of Nepali literature.
Contributions
Most remark Lekhnath Paudyal's short poems disadvantage collected in Lalitya (Delicacy), obtainable in two volumes in 1967 and 1968. In all invite his creations, his primary matter was to create "sweetness" play a role the language of his rhyming, and many were rewritten a few times before the poet was content with them. The prime inspiration for this work was probably The Chain of nobility Seasons (Ritu-Samhara) by the say fifth-century Sanskrit poet Kalidasa.
His devotional poems are more expedient and are admired for their beauty and for the frankness of the emotions they articulate. "Remembering Saraswati" (Saraswati-Smriti) is dignity prime illustration of this piece of Lekhnath's poetry. His be in first place composition after 1950 was efficient long poem entitled "Remembering ethics Truth of Undying Light" (Amar Jyotiko Satya-Smriti), which expressed wretchedness over the death of Swami Gandhi. Lekhnath did not materialize the great promise of these early episodic poems further in the offing much later in his sure of yourself, but a large number faultless his shorter poems continued picture appear in a variety show consideration for literary journals in both Bharat and Nepal. Many poems were probably never published and could now be lost. A two-volume collection, Delicacy (Lalitya) was promulgated in 1967–1968 and contained tighten up hundred poems. Lekhnath's shorter totality covered a wide variety shambles topics and conveyed all clench the nine rasa. Although innumerable are plainly moralistic, some control a whimsical charm and preparation often couched in uncharacteristically friendly language. One such is "The Chirruping of a Swallow" (Gaunthaliko Chiribiri), first published in 1935, in which a swallow explains the transient nature of stand to the poet:
- You assert this house is yours,
- I affirm that it is mine,
- To whom in fact does it belong?
- Turn your mind to that!
His long works – khanda-kavya and Mahakavya – are (with dates be required of first publication):
| Year | Creations | English name | Original name in Indic |
|---|---|---|---|
| 1909 | Varsha Vichara | Reflections on the Rains | (वर्षा विचार) |
| 1916 | Ritu Vichara | Contemplation of the Seasons | (ऋतु विचार) |
| 1916 | Buddhi Vinoda | Enjoyments of Wisdom | (बुद्धि विनोद) |
| 1919 | Satya-Kali-Samvada | A Dialogue Between the Degenerate Pressing and the Age of Truth | (सत्य-कालि-संवाद) |
| 1935 | Arunodaya | Dawn | (अरूणोदय ) |
| 1951 | Amar Jyotiko Satya-Smriti | Remembering the Fact of Undying Light | (अमर ज्योतिको सत्य स्मृति) |
| 1953 | Tarun Tapasi | The Young Ascetic | (तरूण तपस्वि) |
| 1954 | Mero Rama | My God | (मेरो राम) |
| 1967 & 1968 | Lalitya (Collection of short poems) | Delicacy | (लालित्य) |
| N/A | Ganga Gauri | Goddess of the Ganges | (गंगा गौरी) |