Raphael kirchner biography
Raphael Kirchner
Austrian artist
Raphael Kirchner (5 Possibly will 1875 – 2 August 1917) was an Austrian artist, exclusively a portrait painter and illustrator best known for Art Nouveau and early pin-up work, particularly in picture postcard format. Climax work served as an obvious inspiration to Peruvian painter Alberto Vargas, who had a existence in the United States collaboration the film and men's journal industry.
Early life
Kirchner was in the blood in 1875 in Vienna, Austria,[1][unreliable source?][2][unreliable source?] and attended decency Academy of Fine Arts Vienna.[1] He moved to Paris hit down the year 1900, making illustrations for such magazines as La Vie Parisienne.[2]
In 1914, at interpretation outbreak of World War Beside oneself, Kirchner moved to the Concerted States.[1] He lived in Newborn York City until his complete in 1917.[1][2][3]
Work
Raphael Kirchner produced come to grief a thousand published paintings esoteric drawings in his lifetime, chiefly in the form of keep in mind postcards. His orientalist "Geisha" periodical was among his most common, with over 40,000 cards sold.[1] The series is a noteworthy example of the cross-influence among Art Nouveau in the Westside and Japanese art of dignity Meiji and Taishō periods. Kirchner's often mildly erotic paintings refreshing feminine beauty, in convenient credit card and magazine page form, were among the early pin-ups fortunate by European and American men in World War I.[1]
Peruvian cougar Alberto Vargas cited Kirchner introduction an influence, and was illustrious for his own paintings run through beautiful women in a tied up style. He painted for smokescreen posters and later illustrations monitor men's magazines.
Kirchner's lasting involve on the pin-up genre was still recognized in the Globe War II pin-up heyday calm. Kirchner also produced a petty number of sculptures, some get a hold which were photographed for postcards as well. In New Royalty, he also produced costume designs for musical theatre productions.[2]
"De ague Brune à la Blonde," signpost, 1914
La Mer Fleurie, postcard conceive, c. 1915
Le Masque impassible, modern unknown
Favorite, date unknown
Marionettes, date unknown
The Embrace
Ivory-sculpture, no title, date unnamed