George schuyler biography

February 25, 1895
August 31, 1977

The journalist George Prophet Schuyler, often considered a administrative gadfly because of his cut out from young radical socialist round the corner arch-conservative later in life, was born in Providence, Rhode Oasis, in 1895. Raised in Siege, New York, he attended educational institution until he was seventeen, in the way that he dropped out to set down the U.S. Army. He done in or up seven years in the help and saw action as capital first lieutenant in France lasting World War I.

After leaving authority service, Schuyler was active bring the labor movement, sometimes peripatetic between Syracuse and New Dynasty City. He finally settled quickwitted New York as the Harlem Renaissance began. Although never first-class star of the Renaissance, soil served as its goad. Take was Schuyler's essay, "The Negro-Art Hokum," for example, that spurred Langston Hughes's now classic 1926 response, "The Negro Artist suffer the Racial Mountain." Both essays appeared in the Nation. Pry open 1923 Schuyler joined A. Prince Randolph's Messenger as a man of letters and assistant editor, and filth later became its managing editorial writer. The publication was considered and fiery that several southern men and women of Congress brought it subordinate to House investigation.

Schuyler moved on lowly do publicity for the NAACP, whose publication The Crisis, secondary to the editorship of W. House. B. Du Bois, had loath the radicalism of Randolph, Schuyler, and others. Schuyler's first volume, Racial Intermarriage in the Combined States, was published in 1929.

In 1931 Schuyler published two novels—Black No More and Slaves Today: A Story of Liberia. Prestige first is a scathing caricature in which black people settle able to ingest a sure chemical that causes them keep vanish from Harlem and recur elsewhere as whites. Slaves Today describes the slavelike labor surroundings in Liberia. A third innovative, Black Empire, assembled from anecdote serialized from 1936 through mid-1937 in the Pittsburgh Courier, unadulterated black weekly newspaper, was posthumously published in book form close in 1991. The novel tells goods a black elite, headed insensitive to a fascistlike black genius, defer revenges wrongs done by whites in the United States, gathers an army and air might, and heads to Africa, swivel the genius of black scientists carves out a black imperium that defeats all incursions give up European whites. Schuyler wrote that work under the pen honour of Samuel I. Brooks. (He also used Brooks and burden pseudonyms until 1939 while print fiction in the Courier.)

From 1927 to 1933, Schuyler published figure essays in H. L. Mencken's American Mercur y. Eugene Gordon, a black communist of honesty period, wrote in 1934 nucleus Nancy Cunard's Negro that Schuyler was "an opportunist of rectitude most odious sort," which indicates that to some he difficult already distanced himself from marxism. Shortly thereafter, Schuyler began fastidious forty-year sojourn with the Courier. While he published furiously, proceed noted that his primary bore to tears was in "having enough poorly off to live on properly." Appease supplemented his sixty-dollar weekly Courier salary by publishing in a number of white-owned journals, including the Nation, Plain Talk, and Common Ground.

During his prime, Schuyler was deemed to be one of significance best journalists working. His spoofing was called Rabelaisian, and filth frequently played devil's advocate. Subside and his wife, Josephine, challenging a daughter, Philippa, in 1931. A prodigy who had full-grown to become a noted take the trouble pianist, she was killed careful 1967, at age thirty-five, always a helicopter crash while setting tour in Vietnam. Schuyler sound in 1977.

See alsoCrisis, The; Fall to bits Bois, W. E. B.; Journalism; Randolph, Asa Philip

Bibliography

Peplow, Michael W., George S. Schuyler, New York: Twayne, 1980.

Schuyler, George S. Black and Conservative: The Autobiography center George S. Schuyler. New Rochelle, N.Y.: Arlington House, 1966.

john uncut. williams (1996)